Category Archives: The Making of a Journal

Royal Studies Journal – Next Round

A new issue of the Royal Studies Journal is out! Already the fourth issue dealing with all topics on Royal Studies, and showing the breadth of the field in its articles and book reviews.

Enjoy reading about the complicated, and ultimately failed, marriage negotiations between the two branches of the Habsburg family in the second half of the 17th century, and their influence on a major dispute like the Spanish War of Succession. This article by Rocío Martínez López won the 2016 RSJ/CCCU article prize. Also, learn more about the new prizes for articles and books in the statements from Lois L. Huneycutt and Zita Eva Rohr. Don’t think, this is all we have for you: there is even more to learn from Talia Zaja about the Rus-born queen Anna Yaroslavna of French king Henri I, and new sources are being examined by Gordon McKelvie on the reception of the bastardy of Edward V.

Summer time is upon us and with it reading time: check out the book reviews from English, German, French and Spanish books on Royal Studies.

Let us know what you think about this new issue! If you have an article for the Royal Studies Journal, see our submit-page. Know a Royal Studies book you would like to review? See here for further information on getting your review into the Journal.

And finally, keep a look out for our interviews with the authors of this issue, and learn more about their research.

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Interview with Layout Editors, Diana Pelaz Flores and Danna Messer

Dr. Diana Pelaz Flores has received her PhD from the University of Valladolid, Spain. Her research focused on the study of Castilian Queenship during the 15th century, especially in the reign of Juan II of Castile (1406-1454) and his two wives, Queens María of Aragón (1420-1445) and Isabel of Portugal (1447-1496). Currently, she is working in different research projects related to the symbolic importance of water in the Middle Ages and the formulation of the meaning of queenship in the Iberian Kingdoms.

Dr. Danna Messer has received her PhD from Bangor University in Northern Wales (and for everyone who has ever been to Bangor, that means she is also very adept at climbing steep hills). Her research focuses on women living in native Wales before the English conquest of 1282. While her PhD primarily concentrated on married women from the aristocratic and noble classes, she is now taking a closer look at ‘queens‘ and royal women from the native princely dynasties in historical and literary sources and records of practice.

Diana and Danna are the layout editors of the Royal Studies Journal – we got together with them to ask them, what it is they do and also a bit about their research.

Cathleen: Thank you both for doing this interview. First of all, could you tell us a bit more what a layout editor does?

Danna & Diana:  Well, essentially, to coin a friend’s term: the clue is in the title!  After an article or review has successfully gone through the peer-review process and is submitted for publication, it goes through the stages of being proofread and copy-edited.  Eventually, the final version is sent to our team to template it and lay it out according to our guidelines.  As editors, we work closely with the layout assistants; assigning articles and reviews to be laid out so the work is spread out as equally as possible and, ideally, with enough leeway time so there’s not a lot of stress involved at the end of production.  It’s not really just a matter of simply delegating work.  It’s about working with each other, including laying out articles ourselves, and helping with any glitches that arise.  There’s also the matter of looking after the online system that we have set up for the journal and making sure all the right boxes are ticked (figuratively and literally).  This side is important because if we don’t go through the proper technical channels, the journal physically can’t be published.

Levin article word file

Levin article layout version

Carole Levin‘s article on the afterlife of Elizabeth I in Stuart England, before and after Diana, Danna and their team worked on it

Cathleen: So, you are pretty much the last step to make sure everything is as it should be. How does your work fit in with all the other steps, e.g. section editors, copy editors and so on? Is there a lot of communication going on between these different roles?

Danna & Diana:  Really, with the journal overall there seems to be a lot of open communication across the board.  Certainly, as layout editors we work pretty closely with the copy editor, since her job also entails issues concerning agreed house formatting and style.

Cathleen: There is a quite a team of layout editors at the journal. Could you tell us a bit more about how you organise the work between you? Are there multiple rounds of checking? Also, what kind of software to you use? And what are the challenges there?

Danna & Diana: The main task is overseeing the OJS side of things so we can make sure the publication is pushed through on time and that the articles and reviews that appear in the publication are the final versions that are meant to be there.

We have an absolutely fantastic team to be working with.  Everyone is so enthusiastic about getting their hands dirty, so to speak, in order to help this journal be a continued success.  And, communication within the layout team is impressive given we are all busy with other life demands and spread so far and wide – if an email is sent querying something or if someone flags up an issue that needs to be dealt with it’s usually within a matter of a couple of hours at the most that any of us have to wait for a response.  It’s brilliant.  And reassuring.

We do multiple rounds of checking, as far as we can.  Generally, after an article or review has been laid out, it is sent back to the copyediting team and authors for a last run through to make sure everyone is happy we’re meeting our standards.  Previously, the journal has used Publisher for layout, but we are currently in the process of rejigging things with the intent to use Word from here-on-out.  There’s a general consensus that this switch will hopefully make the last-minute chaos that ensues in publishing when trying to meet deadlines a lot less chaotic!

Cathleen: Good luck with that! Besides layout editing for the journal, you have of course also your own research. Could you tell us a bit more about this?

Danna: My main research interest are the wives of the Welsh rulers before Wales was conquered by the English in 1282.  In particular, I focus on the ideals and expectations concerning women and gender found in the native and normative Welsh sources roughly composed during the twelfth and thirteenth centuries and examine these against what records of practice actually tell us about the types of agency royal and noble women held.  Welsh queenship and kingship are very complicated topics because the whole system of rulership was pretty ill-defined and even use of the terms queenship and kingship are debatable.  My research on Welsh queens, nevertheless, is proving exciting because after some painstaking delving into the sources, it‘s pretty clear that women enjoyed real levels of political and economic agency that effected the administration/management of family lordships, as well as native Welsh polity and international relations.  It’s a topic that’s been ignored for too long and I just find it fascinating.

Diana: My research focuses on the role of the queens of Castile during the Late Middle Ages, especially in their role as the wives of kings. My main objective in my PhD was to understand the role of the queen consort in the different spheres of participation in the kingdom. By this reason, I have observed the political relevance of the wives of King Juan II of Castile (1406-1454), because these two women established a singular conflict against the king’s favourite, the Constable of Castile, Álvaro de Luna. The research on these Castilian queens, in relation to examples given by other queens of the Trastamara dynasty, has inspired other angles concerning Castilian queenship, such as the role of the queen as mother, the configuration of the queen’s itinerary, or the formation and composition of the queen’s household, among other aspects. The study of these women has been absolutely fascinating for me, because it helps me appreciate the importance of the queen in her context and the true role that developed with the evolution of the Crown of Castile. It is really suggestive and, in my opinion, it is a research field as interesting as necessary to understand the functions of the queen in the medieval period.

Cathleen: Alright, both of you share this fascination of medieval Queens – be it Welsh or Castilian. And, come to think of it, Castilian medieval queens and noble women in general are also research interests of the chief copy-editor of the Royal Studies Journal, Jitske Jasperse. Can you tell us a bit more about this fascination of medieval queens? For example, what exactly were their roles in politics? Did they mostly have influence via cultural patronage, or how did this work in a mostly male dominated world?

Danna:    For me, the fascination with queenship stems from the traditional lack of understanding (and, really, historic disinterest) concerning women’s lives in general.  There is so much research now showing that women were hardly on the periphery of society as most of history has led us to believe.  I think it’s crucial that we understand the varying levels of agency and downright power that women actually wielded from every aspect of society in order to have a more balanced view of the past.  I think this, in turn, has a direct impact on changing gender and sex relations and attitudes in our own cultures.

As for royal women in medieval Wales, there is a lot of evidence that strongly suggests that the office of the ‘queen’ was one that allowed the ruler’s wife significant political agency, on both the national and international stages.  In fact, there is very little evidence between 1100-1282 of the queen’s influence in terms of cultural patronage or the import of the pigeon-holed role of the woman as mother.  Though medieval Wales has been portrayed as a male-dominated society, all surviving evidence seems to singularly point towards real social and cultural expectations that women, and especially the wives of Welsh rulers, be both politically and economically active.

Diana: Well, I think the study of the relationship maintained by the women and power from the past let us to know the capacity and the implication of women in history, but also in the history of themselves. This is very important, since it increases our knowledge, especially with respect to the relations between the sexes and their mechanisms of acting. There are different roles developed by the queens, and the case given by the Crown of Castile is very interesting for its complexity and wealth of the scenarios where queens could participate. Concrete, during the government of the Trastamara dynasty (during the 14th/15th centuries), the same to which Isabel the Catholic belongs, we can observe the importance of Juana Manuel de Villena, the first queen of the dynasty, who legitimized her husband for the Castilian throne, thanks to her succession rights; her example is very similar to Catalina of Lancaster, as heir of the succession rights of Pedro I, the king who was murdered by Enrique of Trastamara. This relevance of the queens from the birth of the dynasty motivated a particular evolution and their specific weight in the Castilian Late Middle Ages. This was fruit of a historical relevance of the women of the royal family, because they could govern and inherit the throne according with the traditional law, different, for example, of the case of France where the Salic Law impeded it. In consequence, throughout medieval history of the Crown of Castile we can see strong queens consort, queens mother exerting the government as regents and queens regnant, too.

Cultural patronage is a fundamental field of study for understanding medieval queens, because it is possible to contrast the impact of their religiosity and their taste for literature, but it is not the only sphere where we can find the queens. The Castilian queens participated with her husband in the concession of privileges and they took part of the political evolution of the kingdom. In this sense, the queens were close to their husbands in the war against the Muslims; in occasions they even commanded the troops, as happened in the case of Juana Manuel during the Civil War after the death of king Pedro I. The capacity of the Queen to transmit her identity and her political perception can be observed clearly, such as reveals the example of María of Aragón against the royal favourite, who tried to separate her from the king Juan II. We can appreciate (at least in part, because not all documentation has been conserved) their functions in towns and cities that composed her lands as Queen of Castile, in addition to knowing her relevant influence on her children, thanks to their authority as mother.

Cathleen: Finally, is there anything you like to add – any way an author for the journal can help make your job easier, or anything else?

Danna & Diana:  I think our switch from Publisher to Word will make everyone’s job easier in the long-run, from the submission stage to the final layout.  It’s a good move to make.

Cathleen: Thank you both so much for doing this interview!

Danna & Diana:  Our pleasure!

 

Interview with Philippa Woodcock

Niki: Thanks for doing an interview with us! to begin, how did you get interested in history? especially the period you specialize in?

Philippa: Thank you, I’m flattered to be asked. It is entirely my mother’s fault that I became a historian. She read historical novels non-stop (Dorothy Dunnett’s Lymond and Niccolo novels especially) and had the portraits of the six wives of Henry VIII above her bath (but not Henry VIII). Anne Boleyn was a clear favourite, but I always preferred Katherine Parr (ah, the admiral!)

Niki: Your latest article contribution to the RSNJ is fascinating. Is this a subject you’ve been studying for years?

Philippa: Thank you. The article is a bit of an aside to my PhD which I finished in 2006 and, to my shame have still to publish. I ended up studying French Milan thanks to my supervisor, Evelyn Welch, who advised me to work in very quiet archives – Milan, Mantua, Cremona etc – rather than Florence.  When I started researching the de Foix family’s role in Milan, I realised that studying the governors would also give me an excuse to do research in Pau and Tarbes….

Each time I go to a new archive I always make a quick sweep of terms relating to French Milan before starting my other research. There’s a lot of unpublished material out there, even though Italian and French scholars have really revived interest in this period in the last twenty years.

Niki: What went into the research for this article?

Philippa: A long process and lots of travel! This article’s origins are in the Kings and Queens 3 conference in Winchester in July 2014. I remembered a contemporary Venetian observer remarking that Lautrec always maintained and fed a certain number of liveried servants and followers, so my contribution developed from that. Whilst teaching for Warwick in Venice I had the absolute luxury of being able to spend some time in the archivio di stato, where some references survive to the gifts given to Lautrec and his cronies by the Republic. I then gave the adapted paper at a researchconvegno, and was given some leads for future work from Italian scholars. Finally, when I submitted the article to the RSJ I got some really useful feedback about new research and publications that I had missed. This iterative editorial process is so important to ensure that work is representative of the state of scholarship, as well as including original archival research.

Niki: Was there anything that surprised you when conducting your research?

Philippa: I’m afraid that I get carried away in the archives and go off on tangents. I knew from Sanudo that Lautrec and Gritti had a difficult relationship, so I looked through the draft despatches of the Senate for 1515-20. I came across some lovely nuggets about provisions being made for Andrea Gritti to travel by litter on campaign, rather than horseback, owing to his age. This meets the idea of Venetian gerontocracy, but somehow goes against the idea of Gritti ‘man of action’. I was also interested to see how many references were made to the scars on Lautrec’s face which seemed to have affected his sinuses and made it necessary for him to frequently hawk up phlegm. He even adopted the panther as his emblem for it too had a ‘savage visage’.

Niki: Thanks again for letting us interview you! One last question: what are you working on next?

Philippa: Lots of things. I get distracted easily! I am working with my friend and former colleague, Matthias Range, to publish our post-doctoral work on Reformation rural religion, exploring the daily religious experience in isolated Catholic and Lutheran parishes. However, my main project (going slowly at present) concerns the experience of French mariners in the Venetian Stato da Mar. I have lots of juicy French complaints about the Venetians seizing French goods on rather flimsy pretexts. I aim to match this with Venetian enquiries into ‘misconduct’ and pre-consular diplomatic activity. I’ve looked at this in Paris, but I need to get down to Marseille. And one day, I will publish my PhD in some form or another….

Interview with chief copy editor, Jitske Jasperse

Dr. Jitske Jasperse is a medievalist from the University of Amsterdam, specialising in Royal Studies, gender history and with a focus on the 12th century. In her PhD The Many Faces of Duchess Matilda. Matronage, Motherhood and Mediation in the Twelfth Century she showed the sphere of influence of a royal woman by analysing her cultural patronage. In 2016 she will continue her research on medieval noblewomen in relation to coins and seals at the Consejo Superior de Investigaciones Científicas in Madrid.

Jitske was also one of the founding members of the Center for Medieval and Renaissance Studies, Amsterdam and is involved with the medieval network CARMEN. In addition to all that, she is the chief copyeditor of the Royal Studies Journal, and has agreed to tell us a bit more about her work and research.

Cathleen: Thank you, Jitske, for doing this interview. First of all, could you tell us a bit more about what a copyeditor does?

Jitske: Copyediting is an exciting and challenging task, because you need to analyse the articles and reviews in a formal way – checking spelling, style, punctuation – without getting carried away by the content and the author’s argument. The copyeditors use a stylesheet – which is the author stylesheet that can also be found on the RSJ website – to check whether the authors overlooked elements in style and spelling and to make the overall style in the journal as coherent as possible.

Screenshot StyleguideSnippet of the stylesheet

In order to do so the copyeditors use the famous ‘track changes’ and ‘new comment’ buttons, so that the author of the article or review is able to see what the copyeditor has changed or suggested. While a copyeditor’s main task is to detect style- and spelling mistakes, occasionally he or she will also ask the author to clarify sentences.

Cathleen: How does this work fit into the general process of making the Royal Studies Journal? When do authors interact with you?

Jitske: Of course copyediting isn’t the first step. A lot of work on the articles and reviews has already been done by the section-editors and review-editors who support the authors. Together with the layout team the copyeditors are part of the production team. The copyeditors are there to track and change the final errors that have been overlooked by the author.

01 example of copyedit comments in reviewExample of copyedit comments

Of course you need to read the content of text, but you also have to look at the text as a text searching for double spacing, odd quotations marks and forgotten International Standard Book Numbers (ISBN). Yet, the final work is done by the layout team, who has the big and laborious task to make the journal visually coherent. As copyeditors we try – and sometimes fail – to make their lives easier by trying to deliver flawless texts.

Cathleen: That sounds like quite a task! Especially since there are so many different styles of writing, or come to think of it, also of spelling. Maybe the easier question first: is the journal published in British or American English (or another kind)? And the slightly more difficult question: what do you look for in writing styles besides clarity? Are there some general rules you could give us and the prospective authors of the journal?

Jitske: Yes well, to make it slightly more challenging, although we prefer articles in English we also accept them in foreign languages. This makes it even more difficult to come up with a stylesheet that tackles all issues. We have, for example, debated the spelling of names in reviews and articles. In our stylesheet we point out that foreign names should not be anglicised. Yet some foreign name are so common in English, such as Frederick Barbarossa, that it feels a bit to odd to change this to Friedrich Barbarossa. In any case, our point of departure is the style guide by Modern Humanities Research Association, which uses a UK spelling. Alternative spellings, such as American, are accepted, but they should be consistent throughout the article.

This brings me to the second part of your question: rules related to writing style. This is a really tricky matter, because style is not just a matter of following the rules of grammar, it also something really personal. The use of commas is one example. Some people prefer to use comma each time you feel there’s a pause in a sentence when you read it out loud. But others just don’t like this because you can end up with too many commas in one sentence.
In general I would suggest the use of active instead of passive. And I would also recommend that authors or their editors contact their copyeditor in an early stage if they have doubts about style matters. We can then advice the author or editor in an early stage and he or she can make alterations before the copyeditor makes the first copyedit.

Cathleen: There is a quite a team of copyeditors at the journal. Could you tell us a bit more about how you organise the work, e.g. how you decide whom to give an article to copyedit? Or, are there more than one round of copyediting?

Jitske: At the moment we have a team of about 22 copyeditors. Their specialities range from Anglo-Saxon England to eighteenth-century Italy, including history, art and architectural history and literature. Together the team covers eight languages. The copyeditors receive the piece they need to copyedit through the online Open Journal System used by the Royal Studies Journal. I try to match the topic of an article or review to the copyeditor’s interests, although this is not always possible.
After the author’s document is uploaded, the copyeditors make their first corrections. They then upload these so that the author can rework his or her article or review and publish it again in the system. The copyeditor then does the final check. So author and copyeditor use the online system to communicate with each other.

02 example of system used by copyeditors and authorsExample of Royal Studies Journal-system used by copyeditors and authors

Cathleen: Thank you, Jitske, for this insight into the copyediting process.
Dear reader, leave us a comment if you have further questions about this!

Besides copyediting for the journal, you are also involved in quite some other projects. Could you tell us a bit more about these, e.g. CARMEN and the project New Interpretations on the Angevin World?

Jitske: CARMEN is an international network for medievalists and organizes an annual meeting in different places around Europe in September. These meetings focus on a theme, often connected to current research interests or (European) funding opportunities. Our 2015-meeting was in Sarajevo and the theme was ‘Memory and Identity’. The idea of CARMEN is that people gather to present and exchange ideas and research and join forces when applying for funding. Two of CARMEN’s successes are the ESF project ‘Saints’ cults’ and the ESF-funded exploratory workshop on Creative Cities. I myself also benefitted from CARMEN, because it was there that I met Therese Martin in 2012. She was in the midst of her European Research Grant project on medieval women as makers of medieval art and architecture. With her support I applied for a two-year postdoctoral grant at the Juan de la Cierva Formacion, which was awarded to me to do research at the Consejo Superior de Investigaciones Científicas in Madrid. By the way, our 2016-meeting will be held in Essen (Germany). So take a look on our website and join us!

I am also involved in Stephen Church’s project on the Angevin Empire, which is funded by The Leverhulme Trust. This international research networks studies the phenomenon of empire through the prism of the medieval Angevin Empire. I will focus on gift-giving and gift-exchange between the Angevin court and that of the Holy Roman Empire: who are involved, how do the participants style and perceive themselves and others, are the gifts gendered, and is the notion of empire part of gift-giving and gift-exchange? I am excited to conduct this research and to find out what my colleagues are doing. For those eager to find out more, please read Stephen Church’s article ‘Was there an Angevin Empire?

Cathleen: That does sound promising! So, how does your research fit into this all? What are you focussing on right now?

Jitske: Well, I already mentioned the grant I received to do research in Madrid. Although I still need to figure out the details of my research, I will certainly be working on medieval noblewomen, including some Castilian queens. Leonor of Castile was the sister of Duchess Matilda, the woman who inspired my research on medieval women. This research also included twelfth-century coins on which women were depicted. I think that we can learn more about the way coins and seals were used and how they functioned in medieval society by including women. Also, a study of these objects’ iconography and legends can inform us about women’s positions, their dynastic policies and family ties.

Cathleen: I certainly agree with you on that; numismatics is a bit underrated in Royal Studies, although coins and seals are such interesting and widespread sources of representation.

Finally as a last question: is there anything you like to add for authors dealing with copyeditors?

Jitske: Of course I hope authors keep sending us their material. But please check the stylesheet, which you can find online, as thoroughly as possible in order to avoid unnecessary inconsistencies. It’s also a good idea to read through some older reviews and articles to see what the RSJ style looks like.

Cathleen: Thank you so much for doing this interview!

Royal Studies Journal – Part III

A new issue of the Royal Studies Journal is out!

Read about Odet de Foix in an article by Philippa Woodcock, and about biblical analogies of Elizabeth I after her death in an Article by Aidan Norrie.

Also, if you are still looking for something to read for long winter nights, or to put under the christmas tree, check out the book reviews.

Let us know what you think about this new issue! If you have an article for the Royal Studies Journal, see our submit-page. Know a Royal Studies book you would like to review? See here for further information on getting your review into the Journal. And finally, you can also nominate the best new book in the field as well as best new work by an early career scholar.

Interview with Dr. Sara Wolfson

Niki: Hi Sara! Thanks so much for doing this interview. To begin with, how did you get interested in your specialization? Is this something that struck your interest at a young age?

Sara: During my undergraduate studies, I was always interested in gender history, but my primary interest was the court of Charles I, particularly the politics of the 1630s. When I was researching my undergraduate dissertation on the king’s personal rule in Durham, I was surprised at how little Caroline court women appeared in the general histories of the period. This was something that I hoped to address at postgraduate level.

Niki: Is there something particularly interesting about Queen Henrietta Maria and her court that led your research to be focused on that particular time in British history?

Sara: I found S.R. Gardiner’s assertion that Henrietta Maria was a ‘gay butterfly’ at odds with work that I was reading during my doctorate by Caroline Hibbard, Malcolm Smuts, Erica Veevers, and Karen Britland, which showed that the queen was a woman of political, cultural, and religious acumen. I was particularly interested in the practicalities of a mixed marriage in seventeenth century England. For instance, how Henrietta Maria’s Catholicism shaped the ceremonial culture of the Caroline court, but also helped to further the exchange of confessional ideas by the 1630s. Of course, it goes without saying that Charles I’s reign is a period of intense historical interest with his early wars with Spain and France; the king’s personal rule; his relations with parliament; the civil wars; and the aftermath of his execution. I wanted to understand how early modern women at the apex of society negotiated the position of themselves and their families during this time, above all during the post-1642 period.

Niki: If you can, how would you best describe Queen Henrietta Maria’s character?

Sara: Steadfast, loyal and vivacious.

Niki: Do you think aristocratic women and their role in politics has been largely ignored by historians?

Sara: Since Barbara J. Harris and Sharon Kettering emphasised the ways in which women could engage informally in politics through patronage networks and personal relationships, the political activities of elite women have been addressed by a number of historians and literary scholars. The recent edited collection by Nadine Akkerman and Birgit Houben, where I published a chapter on Henrietta Maria’s Bedchamber, made a point of looking at ladies-in-waiting, rather than queens, queens consort and royal mistresses. It was encouraging to be asked to be a part of that collection.

Niki: How did you get CCCU interested in awarding prizes for RSN? and how does the nomination process work to be eligible for the prize?

Sara: Canterbury Christ Church University has a number of historians and literary scholars interested in royal studies, such as Prof. Louise Wilkinson, Prof. Jackie Eales, Dr Astrid Stilma, and Dr Leonie Hicks. The opportunity to collaborate with other institutions to further our research culture is part of our research objectives and sponsoring the Royal Studies Journal seemed like the perfect opportunity. The prize will be awarded on an annual basis to the best postgraduate article published by the Royal Studies Journal.

Niki: Lastly, what are you working on now? We look forward to reading your work.

Sara: I am currently reworking my PhD for publication with Manchester University Press. I’m also working on transnational relations between the Dutch Republic and the Stuart crown in 1641-3. I’m publishing an article on Henrietta Maria at the court of Frederick Henry in a Special Issue for Women’s History Review, which will be forthcoming next year.

What is Royal Studies?

The Royal Studies Network and the Royal Studies Journal both grew out of the initial Kings & Queens conference in April 2012. The surge of interest and proposals that the call for papers from the original Kings & Queens conference produced, convinced us that there was a real gap in the field – that there was a group of scholars who were working on royal themes but had no academic forum to share their research.

Three years later, that forum is well established and the concept of a discrete field of ‘royal studies’ has begun to be acknowledged. However, as a field which is only begun to be clearly established, there is a lack of clarity, both within and beyond the field itself, as to what exactly ‘royal studies’ entails.

What we aim to do here is to open a discussion about how we define, or want to define, what royal studies is. I have always argued that it should be as inclusive as possible in terms of discipline, temporal and geographic parameters. We want to hear from you – what are your ideas and opinions about how we should be defining this new and exciting field of study and what key considerations should be taken on board as we establish and extend the field?

Your thoughts will form part of an editorial piece, to be published in issue 2 of the Royal Studies Journal, in June 2015. Please comment on the blog, on the RSN Facebook group, or send an email with your thoughts to royalstudiesjournal@gmail.com. All responses must be received by 25 April 2015, in order to be incorporated into the editorial, however, we will keep the comment sections of the blog open for further discussion after this date.

Ellie Woodacre with Cathleen Sarti